This is actually my second trip to the Guggenheim Museum, just over 13 years since the last one - it’s interesting to note how much being outside it felt the same, the Proustian-ish rush of what must be the same pretzel cart, the same street vendor with the Michael Jackson/Madonna interpolation painting. That previous visit, on a school trip in year 12, was a surprisingly formative moment for me. This time, though, I have two specific exhibits to see. We start with Measuring Infinity, an exhibition of Gego’s broadly geometric work. Not being aware of Gego before this, I was quite entranced - the both 2D drawings and 3D structures of, I suppose, “systems” seem to carry so much purpose, so much consideration, whilst also being so aesthetically appealing, putting me in mind of Brian Eno’s “sheet music” for Music For Airports. I admit I didn’t take much implied meaning, but I found my own interest. Sarah Sze’s work takes up the top floor, sprawling structures of found materials, projections, and still images, reflecting one imagines the idea of information overload and the interconnectedness of all things. A specific piece, with short film clips being projected over a single still from each, in almost mosaic, does fascinate me, but on the whole I think it’s generally interesting. The next day, The Guardian writes a 5 star review, and I nearly change my mind.